Selena Gomez: 'Social media has been terrible for my
generation'
The actor and singer told Cannes film festival that it
was ‘impossible’ to make the online platforms safe
Gwilym Mumford Wed 15 May 2019 13.25 EDT
Selena Gomez has spoken out against the “devastating”
effects of social media on young people, arguing that its emergence has been
“terrible for my generation”.
The singer and actor, who with more than 150 million
followers is one of the world’s most popular figures on Instagram, said at a
press conference for her new zombie comedy The Dead Don’t Die that it had
become “impossible at this point” to make social media platforms safe for
users, and called on young people to take a break from social media if they
were feeling overwhelmed.
“For my generation specifically, social media has been
terrible,” Gomez said. “I understand that it’s amazing to use as a platform but
it does scare me when you see how exposed these young girls and boys are. I
think it’s dangerous for sure.”
When asked whether as one of the most prominent social
media figures she had a responsibility in making platforms safer, the
26-year-old said that it was “impossible to make it safe at this point. I’m
grateful I have a platform. I don’t do a lot of pointless pictures. For me, I
like to be intentional with it. I see these young girls … I’ll meet them at
meet-and-greets, and they’re just devastated by bullying and not having a
voice.
“I would be careful and allow yourself some time limits
of when you should use it,” she advised.
Directed by auteur Jim Jarmusch, The Dead Don’t Die stars
Gomez, Bill Murray, Tilda Swinton, Chloë Sevigny and Adam Driver and tells the
story of a picturesque American town that becomes overrun with zombies after
“polar fracking” tilts Earth off its axis.
Speaking at the press conference for the film, Jarmusch
spoke about his concerns over the state of the environment and called on
individuals to boycott corporations linked to climate change.
“Watching nature decline at unprecedented rates is
terrifying and concerning. And what concerns me is a failure to address a
threat to all living species. That disturbs me.
“The sad thing is that it’s in our hands,” he added. “I’m
as guilty as anyone else, I’m making a silly film with wonderful people. If
everyone here for example decided to boycott a certain corporation because they
don’t like their activities, you could take them down. We have the possibility
to do these things, but time is running out.”
Swinton, meanwhile, confronted the long-running issue of
the lack of female directors at Cannes, arguing that the real problem was in
the lack of media exposure for women who were able to see their films made.
“Women have been making films for 11 decades now,”
Swinton said. “There are countless films by women. The question is why don’t we
know about them.
“You have a great master like [Ukrainian director] Kira
Muratova, who died recently. Her obituary was that size in most national
newspapers,” she added, squeezing her fingers together. “Whereas the great male
masters, when they pass on we’ll have whole issues dedicated to them.”
In contrast to the grave subject matter raised by Gomez,
Jarmusch and Swinton, Murray brought some levity to proceedings. When asked
what scared him, the veteran comic actor replied: “I find Cannes frightening.”
Later, when Murray was asked about the prospect of an
afterlife, he said: “I believe in life after death, but not for everyone. So
heads up: some of you I’ll see, and some not.
The Dead Don’t Die opened the festival on Tuesday to a
mixed critical response. In his review the Guardian’s Peter Bradshaw wrote that
the film “seems flippant and unfinished” but praised its “elegant deliberation
and controlled tempo of weird normality”.
The Dead Don’t Die is released in US cinemas on 14 June
and in the UK on 12 July.
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